1949 – モンパルナスの呪われた画家モディリアーニ

Kees van Dongen (1877–1968) was a Dutch-French painter known for his colorful and provocative portraits, contributing significantly to the Fauvism movement. Born in Rotterdam, Netherlands, he moved to Paris in the early 20th century, where he became associated with the avant-garde artists of his time, including Henri Matisse and André Derain. Van Dongen's work is characterized by bold, vibrant colors, and an expressive use of paint, traits that aligned him with the Fauvists, whose approach to art emphasized painterly qualities and strong colors over representational accuracy. Van Dongen's subjects ranged from scenes of Parisian nightlife and society portraits to landscapes and nudes. His portraits, in particular, are noted for their sensuality, capturing the elegance and allure of his sitters with exaggerated features and striking, often non-naturalistic colors. This sensuality, combined with a keen observation of social and cultural mores, made his work both celebrated and controversial. Throughout his career, van Dongen also engaged in illustrating books, designing theater sets, and participating in numerous exhibitions. His reputation grew especially for his ability to capture the likeness and spirit of the fashionable Parisian elite, making him a sought-after society portraitist. Van Dongen's work during the early 20th century reflects the dynamic changes in art and society during this period, embodying the spirit of modernity that defined the era. By the time of his death in 1968, van Dongen had secured his place among the leading figures of 20th-century art, leaving behind a body of work that continues to be celebrated for its vibrant energy, emotional depth, and bold use of color. His contributions to Fauvism and modern art are recognized in museums and collections worldwide, attesting to his enduring influence and appeal.