1950 – A Black And White Photo Of A Man And Woman Kissing In A Cart.

Width

41cm

Height

31cm

Artist

Robert Doisneau

Estimated Year

1950

Description

1950 – Robert Doisneau
The image captures a heartwarming moment of two people kissing in the back of a bicycle cart. The cart is parked on a street, and the couple appears to be enjoying their time together.

In the background, there are several cars parked along the street, with one car on the left side, another on the right side, and a third car further back. Additionally, there are two motorcycles parked in the scene, one on the left side and the other on the right side. The presence of these vehicles adds to the urban atmosphere of the scene.

About Robert Doisneau
Robert Doisneau (1912–1994) was a French photographer renowned for his poetic approach to street photography. Born in Gentilly, a suburb of Paris, Doisneau is best known for his lyrical images of everyday Parisian life, capturing the humor, warmth, and sometimes the melancholy of the city's inhabitants. His work offers a charming and often whimsical view of Paris from the 1930s through the late 20th century, making him one of the most celebrated photographers of his time. Doisneau's most iconic photograph, "Le Baiser de l'hôtel de Ville (Kiss by the Town Hall)," taken in 1950, depicts a young couple kissing on a bustling Paris street. This image, emblematic of his style, combines a candid moment with a sense of orchestrated serenity, creating a timeless expression of romance and urban beauty. It has since become a symbol of love and Parisian spirit. Before establishing himself as a freelance photographer, Doisneau worked as an industrial and advertising photographer for Renault, which he later described as not particularly fulfilling. His heart lay in capturing the streets, the children, the lovers, and the idiosyncratic characters that made Paris vibrant. Doisneau's ability to find and frame these moments, often infused with humor or tender humanity, set his work apart. Doisneau was associated with the humanist photography movement, which sought to portray everyday life's dignity and beauty through a compassionate lens. His work, alongside that of Henri Cartier-Bresson and others, played a significant role in defining the aesthetic and approach of street photography. Despite the seeming spontaneity of his photographs, Doisneau often admitted to staging some of his shots, a practice that does not diminish their value but rather highlights his skill in creating compelling narratives within his compositions. His photographs have been featured in numerous books, exhibitions, and collections worldwide, continuing to inspire and captivate audiences with their portrayal of the human experience within the urban landscape. Robert Doisneau's legacy is not only in his contribution to photography as an art form but also in his ability to capture the soul of Paris, preserving fleeting moments of joy, solitude, and intimacy against the backdrop of an ever-changing city.
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